Chronicles of Spellborn Creature Sounds Dev Diary Part 2

Will there be Wookie sounds? Probably not. However, you can find out more about what will be included.ast time (Klick) I explained that the arena creature's impact sounded good, though it is lacking depth and power. There are several ways to get that extra "umpf" into a sound effect and it has been quite a long journey to work out an approach that actually works. When I was creating the sounds for our very first end-boss, animator Michael Perdius would constantly say he didn't hear the impact. This was odd as I knew it was in there, as a matter of fact; every time he said it, I would add another type of impact just to make sure. Several explosions, door slamming shut and bodies dropped to the ground all layered together. I tried eq-ing, adding reverbs even bribery at one point but Michael wouldn't budge. What I was adding wasn't what he was listening for. After a while, I gave up, working on other creatures instead, promising him to go back to our end-boss one day. I wasn't sure if I would or could get it right at a later time but was sure I wouldn't be able to do so now. Months later, when working on the Walrus' footsteps, I avertedly stumbled across a solution. The walrus was the first creature I did, not to walk on rock/gravel. When creating it's footsteps I noticed there was more punch to them than I would have expected. By mistake I had copy pasted an explosion, thinking it was a breathing sound, to each step. The combination of this quietly played explosion and the sounds surrounding the impact of the steps; the creaking wood boards and a slightly echoed thump, this gave a tremendous sense of weight. After each impact, the wood creaked. You can read this all here.

Will there be Wookie sounds? Probably not. However, you can find out more about what will be included.

ast time (Klick) I explained that the arena creature's impact sounded good, though it is lacking depth and power. There are several ways to get that extra "umpf" into a sound effect and it has been quite a long journey to work out an approach that actually works.

When I was creating the sounds for our very first end-boss, animator Michael Perdius would constantly say he didn't hear the impact. This was odd as I knew it was in there, as a matter of fact; every time he said it, I would add another type of impact just to make sure. Several explosions, door slamming shut and bodies dropped to the ground all layered together. I tried eq-ing, adding reverbs even bribery at one point but Michael wouldn't budge. What I was adding wasn't what he was listening for.

After a while, I gave up, working on other creatures instead, promising him to go back to our end-boss one day. I wasn't sure if I would or could get it right at a later time but was sure I wouldn't be able to do so now. Months later, when working on the Walrus' footsteps, I avertedly stumbled across a solution. The walrus was the first creature I did, not to walk on rock/gravel. When creating it's footsteps I noticed there was more punch to them than I would have expected. By mistake I had copy pasted an explosion, thinking it was a breathing sound, to each step. The combination of this quietly played explosion and the sounds surrounding the impact of the steps; the creaking wood boards and a slightly echoed thump, this gave a tremendous sense of weight.

After each impact, the wood creaked.

You can read this all here.

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